Wiretap Gateway Supported Media File Formats

Image Sequence
Format Extension Import Export Depth
Alias® .als yes yes 8 bits
ARRIRAW .ari yes no 12 bits
Note: Media is presented as a clip, never as a sequence of RAW images. Supports material shot on camera using ARRI SUP 11 or earlier, and the features from version 4.6 of the ARRIRAW SDK. This includes support for ALEXA Monochrome and ALEXA Open Gate, as well as content shot at 4x3 ratio.
Cineon® .cin yes yes 10 bits
DPX .dpx yes yes 8, 10, 12, 16 bits and ADX encoding.
DPX - Single channel .dpx yes no See Note.
Note: Monochromatic DPX files from the following film scanners have been validated:
  • FilmLight Northlight (10 & 16-bit)
  • DigitalFilmTechnology SCANITY (10 & 16-bit)
  • Imagica (8, 10 & 16-bit)
  • Laser Graphics (8, 10 & 16-bit)

Lustre supports single channel DPX files only when imported through Wiretap Gateway.

Gateway .clip yes no n/a
HDR .hdr yes no 32 bits
JPEG .jpg yes yes 8 bits
OpenEXR .exr yes yes 8, 10, 12u, 12, 16 fp bits

Export includes OpenEXR with RLE (Run-Length Encoding) compression.

Multi-Channel OpenEXR with single channel Alpha are supported.
Note:
  • Lustre does not render RGBA OpenEXR files. Do not use the Same As Scans rendering option. Use the OpenEXR RGB rendering option if you want to render 16-bit half float media files.
  • Lustre does not support OpenEXR 32 bit fp files.
OpenEXR 2.0 .exr yes no 8, 10, 12u, 12, 16 fp bits
Note:
  • Multi-part and deep pixel features are not supported: only the first part of a multi-part file can be accessed, and deep pixel channels are ignored.
  • Lustre does not render RGBA OpenEXR files. Do not use the Same As Scans rendering option. Use the OpenEXR RGB rendering option if you want to render 16-bit half float media files.
  • The resolution of the matte channels has to be identical to the beauty pass that will be used for secondary color grading.
Photoshop .psd yes no 8 or 16 bits
Note: Supports RGB and RGBA.
Pict (Macintosh®) .pict yes yes 8 bits
Pixar .picio yes yes 8 bits
Portable Network Graphics .png yes no 8 or 16 bits
Note: Supports alpha.
Precomp .precomp yes no 8, 10, 12u, 12, 16 fp, or 32 fp bits
SGI® .sgi yes yes 8 or 16 bits
Softimage® .pic yes yes 8 bits
TARGA® .tga yes yes 8 bits
Tdi/Maya® .iff yes no 8 or 16 bits
Tiff .tif yes yes 8 or 16 bits
Wavefront® .rla yes yes 8 or 16 bits
QuickTime
Format Extension Import Export Depth
8-bit Packed YUV 4:2:2 .mov yes yes  
Note: Lossy codec. Avoid using for intermediates.
10-bit Packed YUV 4:2:2 .mov no yes  
Note: Lossy codec. Avoid using for intermediates.
Apple Animation .mov yes no with alpha
Apple Graphics .mov yes no  
Apple® Video .mov yes no  
Cinepak .mov yes no  
Component Y’CbCr 8-bit 4:4:4 .mov yes no 8-bit planar
Component Y’CbCrA 8-bit 4:4:4:4 .mov yes no 8-bit planar
Component Y’CbCr 10-bit 4:4:4 .mov yesq no 10-bit packed
Component Y’CbCr 10-bit 4:2:2 .mov yes no 10-bit packed
Component Video .mov yes no 8-bit packed
Note: 4:2:2 format
DV 25 NTSC .mov yes yes  
Note: NTSC & PAL

Although the specifications allow the DV format to be field 1 or 2, the industry standard is "bottom first". Thus, before exporting to Flame Premium, ensure that the clip is Field 2. Reformat, if necessary.

DVCPRO 50 .mov yes yes  
Note: NTSC & PAL
DVCPRO HD .mov yes yes  
DNxHD .mov yes yes 8 bits: 36, 145, 220 (and variants)

10 bits: 220x (and variants)

Note: Includes support for the following varieties: 36, 60, 75, 80, 85, 90, 90x, 100, 110, 110x, 115, 145, 175, 175x, 185, 185x, 220, 220x, 444 (sometimes known as 350x).
H.264 .mov yes yes  
IMX .mov yes yes  
Note: Includes support for IMX 30, 40, and 50.
MJPEG .mov yes yes  
Note: JPEG compatible
MPEG-1 .mov yes no  
MPEG-4 .mov yes yes  
MSMpeg 4v3 (DivX) .mov yes no  
PhotoJPEG .mov yes no  
Note: RT PhotoJPEG compatible
PNG .mov yes yes without alpha
PNGA .mov yes yes with alpha
ProRes 4444 .mov yes yes 12-bit
Note: Includes support for the XQ variant, and for ProRes files from Sony F5 and F55 cameras.
ProRes 422 (HQ) .mov yes yes 10-bit
Note: Includes support for ProRes files from Sony F5 and F55 cameras.
ProRes 422 .mov yes yes 10-bit
Note: Includes support for ProRes files from Sony F5 and F55 cameras.
ProRes 422 (LT) .mov yes yes 10-bit
 
ProRes 422 (Proxy) .mov yes yes 10-bit
 
Quicktime Planar RGB .mov yes no  
RGB Uncompressed .mov yes yes without alpha
RGBA Uncompressed .mov yes yes with alpha
TGA .mov yes no  
Note: TARGA
XDCAM .mov yes no  
XDCAM HD .mov yes no  
XDCAM EX .mov yes no  
Note: There is no essence-mode browsing in a QuickTime XDCAM EX.
MXF
Format Extension Import Export Depth
AVC-Intra 50 .mxf yes yes  
Note: Panasonic P2
AVC-Intra 100 .mxf yes yes  
Note: Panasonic P2. Import includes support for 1080/60p. Import supports OP-Atom format.
AVC-Intra 200 .mxf yes no  
AVC-Intra2K .mxf yes no  
Note: Supports the VariCam 35 and HS, both 4:2:2 and 4:4:4 flavours.
AVC-Intra4K .mxf yes no  
Note: Supports the VariCam 35 and HS, both 4:2:2 and 4:4:4 flavours.
AVC-LongG .mxf yes no  
Canon XF-AVC .mxf yes no  
DNxHD .mxf yes yes  
Note: Includes support for the following varieties: 36, 60, 75, 80, 85, 90, 90x, 100, 110, 110x, 115, 145, 175, 175x, 185, 185x, 220, 220x, 444 (sometimes known as 350x).

Supports DNxHD files from ARRI ALEXA cameras, with the exception of DNxHD 444.

Supports DNxHD 220x and 145 from Sony PMW-F5 and F55.

DV 25 .mxf yes no  
Note: Panasonic P2
DVCPRO .mxf yes yes  
Note: Panasonic P2
DVCPRO 50 .mxf yes yes  
Note: Panasonic P2 (PAL & NTSC)
DVCPRO HD .mxf yes yes  
Note: Panasonic P2. Available in 1080p@25/50, 1080p@24/30/60, 720p@25/50, and 720p@24/30/60.
SonyRAW .mxf yes no  
Note: Flame Premium uses Sony's SDK 2.3.1 to decode SonyRAW files. It includes support for Sony F65, F55, and F5 camera outputs.
Sony SStP .mxf yes no  
Note: Sony's implementation of MPEG-4 Simple Studio Profile, part of the SRMASTER format. The following Sony SStP formats are supported:
  • Lite (10-bit / YUV 422 / 220 Mbps)

  • SQ (10-bit / YUV 422 / 440 Mbps)

  • HQ (10-bit or 12-bit RGB 444 / 880 Mbps)

These formats are supported in 1080PsF (23,97, 24, & 25), 1080i (50 & 59,94), and 720p (50 & 59,94).

XAVC .mxf yes yes  
Note: Includes support for Sony F55 and F5 camera, recorded in HD and 4K. Includes support for long-GOP files (Sony XAVC-Long format) such as recorded by the PXW-Z100.
XDCAM .mxf yes no  
Note: MPEG-2 IMX 30, 40, and 50
XDCAM HD .mxf yes yes  
Note: MPEG-2 long-GOP. Import supports 4:2:0 and 4:2:2. Export: 4:2:2.
Note: Flame Premium exports MXF as OP-1a files (including the timecode). The is audio encoded as PCM, 16-Bit or 24-Bit. Avid applications support OP-Atom MXF files: use the AMA MXF plug-in to bring the OP-1a files into an Avid application.
MP4
Format Extension Import Export Depth
H.264 .mp4 yes no  
XAVC-S .mp4 yes no  
XDCAM EX .mp4 yes no  
Note: MPEG-2 long-GOP
Other Streaming Codecs
Format Extension Import Export Depth
AVCHD .mts or .m2ts yes no  
Note: Only linear PCM audio is supported. Some cameras can record AC-3 audio, but this format is not supported. Only the video portion of AVCHD media with AC-3 audio content is accessible from Flame Premium.
REDCODE .r3d yes no RAW
Flame Premium uses RED SDK 5.3, including support monochrome R3D media and EPIC DRAGON footage.
Audio File Formats
Format Extension Import Export Depth
AIFF .aiff yes yes 16 or 24
AIFF-C .aifc yes yes 16, 24, 32 (float)
Audio Visual Research .avr yes yes 16
Berkeley/IRCAM/CARL Sound (BISCF) .bsf yes yes 16
MP3 .mp3 yes yes 16
Nextsnd .au yes yes 16, 24, 32 (float)
WAVE .wav yes   16, 24, 32 (float)
WAVE - Broadcast .wav yes yes 16, 24, 32 (float)
Note: Includes support for RF64 files (BWF-compatible format that supports files larger than 4 GB).
WAVE - Extensible .wav yes no 16, 24, 32 (float)
Note: Audio tracks are imported as regular audio tracks, without mapping the channels to spatial locations.
Note: Files of any sample rate can be imported, but they are all resampled to 48 kHz.