R3D Format Settings

Metadata Settings

Tape Name box

Select an option to determine how the tape name is set when importing clips.

Select:	To:
Enter Tape Name	Activate the Tape Name field where you enter the tape name. When selecting multiple files for import, this tape name is used for all imported files.
Tape Name from File Name	Use the name of the imported file as the tape name.
Tape Name from Directory	Determine the tape name from the detected directory structure. Use the Level field below to configure the relative path to the directory from which the tape name can be determined.
Tape Name from Header	Read the tape name from the header of the imported file.

Level field

Set from which directory the tape name is taken, relative to the location of the clip in the directory structure.

Although available for all types of files, the Level field is intended for directory structures output by film scanners. A typical image file directory structure looks like this: ./<tape>/<resolution>/clip.######. In this case, selecting Levels Up 2 in the Level field identifies the directory that corresponds to the tape name (./<tape>). Enabled if Tape Name is set to Tape From Directory.

Tape Name field

Enter the name to use as tape name when importing the clip. Enabled if Tape Name is set to Enter Tape Name.

Orientation box

Flip (vertical) or flop (horizontal) the media when importing the clip. Camera uses the orientation defined on the camera during the shoot. Disable Flip to use the true orientation of the image, as it was shot.

Timecode box

Select which timecode to use as RED camera records both edge code (run record) and time-of-day (free run) timecodes during a shoot. Or Use Primary to use the timecode defined at the time of the shoot.

Debayering Settings

Debayering box

Select the resolution of the imported clip. Premium and Good refer to quality of the debayer, especially the anti-aliasing performance. Full is always Premium quality, while Quarter, Eighth and Sixteenth are always Good.

Note: The debayering setting is the most resource-intensive setting. Try using the level of debayering the most appropriate for your work.

Bit Depth box

Set the bit depth of the imported image. This setting is bypassed and implicitly set to 16 bits Floating Point when importing an HDRx clip as High Dynamic Range media, when using a Gamma Curve set to Scene Linear (16-bit fp), or when using the ACES colour space setting.

Detail box

Select the level of detail extraction required. This is not a sharpen setting. Only processed when importing clips with Debayering set to Full.

This setting is ignored when the clip is imported through a RED Rocket.

Denoise box

Select the level of noise reduction applied. Only processed when importing clips with Debayering set to Full.

This setting is ignored when the clip is imported using a RED Rocket.

Dragon Enhanced Black

Enable to remove red noise in low light contents. Only available for DRAGON footage and if Debayer Mode is set to Full or Half Premium.

This setting is ignored when the clip is imported on a workstation with a RED Rocket.

OLPF Compensation box

Select the level of Optical Low Pass Filter (OLPF) to compensate for the optical anti-aliasing filter. Only processed when importing clips with Debayering set to Half Premium or Full.

OLPF is a type of sharpening used to compensate for the optical anti-aliasing filter, which can induce softening of the image during recording.

This setting is ignored when the clip is imported through a RED Rocket.

Colour Settings

Colour Settings box: Select how Smoke uses the colour information stored within an R3D file.

Select:	To have:
User	Smoke import RED clips using the options you set in the Image, Gain, and Curve menus.
Camera	Smoke import RED clips using the look created on the RED camera and stored in the RED clip. Disables the Image, Gain, and Curve menu options.
RMD/Camera	Smoke import RED clips using the RMD look created in REDCINE-X, or fall back on the camera settings if there is no RMD settings. Disables the Image, Gain, and Curve menu options.
RSX Only	Smoke import RED clips using the RSX look created in RED Alert!. The RSX file of a clip must reside in the same directory as the R3D file of that clip. Disables the Image, Gain, and Curve menu options. With this option selected, only clips with an RSX profile can be imported. Clips without an RSX profile appear to be missing media.
RSX or RMD/Camera	Smoke import RED clips using the RSX look. If a clip has no RSX file, Smoke imports it using the RMD look created in REDCINE-X, or fall back on the camera settings if there is no RMD settings. Disables the Image, Gain, and Curve menu options.
RSX or User	Smoke imports RED clips using the RSX look. If a clip has no RSX file, Smoke imports it using the options you set in the Image, Gain, and Curve menus. Enables the Image, Gain, and Curve menu options.

Save as User Settings button

Enable to make the Camera colour settings editable in the timeline FX Format Options. Save as User Settings is implicitly enabled when the Colour Settings box is set to User, or RSX or User.

Colour Science box

Set the version of the RED decoder to use. Using the version 3 of the decoder gives you access to the FLUT and the Shadow options in the Image menu, as well as version 3-only colour spaces and gamma curves.

Disabled when Colour Space is set to ACES.

Note: As a rule, always set Colour Science to Codec 3.x, unless you are working with a footage shot using a RED camera with firmware 30, and that file was imported in Smoke prior to version 2011.

Colour Space box

Select the colour space of the imported clips.

ACES requires specific menu settings for R3D media to decode properly. If you select the ACES option, Smoke disables the Gamma Curve and the Colour Science boxes, as well as the Advanced Colour and Curve menu options. It also implicitly sets the Bit Depth (Debayering menu) to 16-bit fp.

Gamma Curve box

Set the value of the output gamma curve that is applied to the imported clips. Selecting Scene Linear (16bit fp) implicitly sets the Bit Depth to 16-bit floating point. If you set HDRx Settings to High Dynamic Range, HDRx clips are imported as Scene Linear, ignoring the Gamma Curve setting.

Disabled when Colour Space is set to ACES.

HDRx Settings box

Select which track of a RED HDRx file to import, or how to merge the two tracks together. A RED HDRx media file is made of two tracks, track A (the main exposure) and track X (the highlight protection exposure). Use HDRx Settings to set how you want to use those two tracks.

Select:	To have:
Primary Exposure	Only the main exposure (A track).
Highlight Exposure	Only the highlight protection exposure (X track).
Blend Exposures	A single clip resulting from blending together the Primary and Highlight tracks. Blend Exposures behaves similarly to the option of the same name found in REDCINE-X by RED. Use the Blend field to set the blend value to use.
Magic Motion	A single clip resulting from the merge of the Primary and Highlight tracks using an algorithm provided and developed by RED. This algorithm tries to match and blend together the motion blurs of the two tracks.
High Dynamic Range	A single clip resulting from the merge of the Primary and Highlight tracks using an HDR merging algorithm developed by Autodesk. It converts the two exposures into a single 16-bit float image. Importing an HDRx clip as High Dynamic Range forces the Bit Depth of the imported clip to 16-bit floating point, and the Gamma Curve to Scene Linear. Use the Blend, Highlight Threshold, and Exposure Offset fields to refine the blend.
RMD	A clip using blending options read from the RMD file. If there is no RMD file, the Smoke loads the main exposure (A track).

Blend field

Set how to blend the two exposures of a RED HDRx clip.

With HDRx Settings set to Blend Exposures, this field behaves like the blend in REDCINE-X; the blend also attenuates the artifacts created by the scene operation, which is a blend of the two exposures: -1 shows only the Highlight (X frame), 1 only the Primary (A Frame), and 0 a 50-50 mix.

With HDRx Settings set to High Dynamic Range, Blend also attenuates the artifacts created by scene motions; set to 1 unless you are troubleshooting motion artifacts.

Highlight Threshold field

Set the threshold when pixels from the Highlight exposure are used instead of the over-exposed pixels from the Primary exposure. Only available when HDRx Settings box is set to High Dynamic Range. Set Highlight Threshold last because import options such as ISO or FLUT lighten or darken the image. Too high and you get clipping (often including a magenta-coloured cast), too low and the midtones and shadows have noise leaking in from the Highlight track.

Exposure Offset field

Set how much greater the Primary exposure was when compared to the Highlight exposure, in units of stops. Only available when HDRx Settings box is set to High Dynamic Range. The Exposure Offset should be set to match the setting on the camera for how many stops separate the Primary and Highlight tracks. This is typically 2 or 3 stops.

Offset From File button

Enable to use the Exposure Offset read from the R3D file. Enabled when HDRx Settings is set to High Dynamic Range.

Image Settings

ISO: Select the value of the linear gain operation.
Exposure: Set the exposure value, an equivalent to f-stops.
Brightness: Set the brightness value.
Saturation: Set the saturation value.
Contrast: Set the contrast value.
DRX: Set the Dynamic Range Extension, which sets how much pixel data is copied from non-saturated channels into saturated channels.
Kelvin: Set the perceptual colour temperature of the image, in Kelvin.
Tint: Set the tint value.
Shadow: Set the Shadow level.
FLUT: Set the FLUT to refine of the ISO level. As FLUT units are in stops, a +1 FLUT value is the same as doubling the ISO.

Advanced Colour Settings

Use the Advanced Colour menu to set the RGB Lift, Gamma, and Gain of RED clips.

Use the Legacy Gain options if you import clips shot with a RED codec that uses a pre-3.0 Colour Science.

Note: We recommend that you do not change the default settings unless you have prior experience with colour management.

Colour Curves Settings

Use this menu to set the RGB and Luma curves for RED clips.