Common surface material attributes

The following attributes are common to most surface materials.

For material-specific specular shading attributes, see the particular material.

Type

The material’s basic type (such as Phong).

When you change a material’s type, only those attributes common to both types retain their previous values or settings.

Color

The default material color.

You can work with color in Maya LT in so many different ways. Here are some of the most common:

  • Change the basic color of an object by adjusting the color attribute of a material applied to the object. To find out more about material node attributes, see Render node attributes.
  • Apply a texture as a color map to the material’s color attribute.
Transparency

A material’s color and level of transparency. For example, if the Transparency Value is 0 (black), the surface is totally opaque; if the Transparency value is 1 (white), the surface is totally transparent.

To make an object semi-transparent, set the Transparency color to a shade of grey or to the same color as the material Color. The default value is 0 (black). If you change Transparency from the default black (0), the background of the material’s Hypershade swatch becomes a checkered pattern. This is a visual aid and is not rendered.

You can work with the transparency of an object in the following ways:

  • Change the transparency level of an object adjusting the transparency attribute of a material applied to the object. To find out more about material node attributes, see Render node attributes.
  • Apply a texture as a transparency map to the material’s transparency attribute to designate which areas of an object are opaque, transparent or semi-transparent.
Note: If the material has specular highlights the transparency setting do not affect the highlights. So if you are trying to make an object disappear by animating the transparency attribute, you may also have to animate the specular highlight attributes.
Ambient Color

Set to black by default, which means it does not affect the material’s Color. As the Ambient Color becomes lighter, it affects the material’s Color by lightening it and blending the two colors. If there are ambient lights in the scene, the color and brightness of those lights is used to control how much the ambient color contributes to the final color of the material.

Incandescence

The color and brightness of light that a material appears to be emitting. (Incandescent objects do not illuminate other objects.) For example, to simulate lava, use a bright red Incandescence. The default color value is 0 (black).

Tip:
  • Although incandescence makes a surface appear to glow, it does not actually act as a source of light in the scene.
  • Use a little Incandescence for vegetation to make it look organic.
Bump Mapping

Makes the surface appear rough or bumpy by altering surface normals (during rendering) according to the intensity of the pixels in the bump map texture. A bump map does not actually alter the surface. A silhouette of the surface appears smooth.

For more information about bump mapping, see About surface relief.

Diffuse

Gives the material the ability to reflect light in all directions. The Diffuse value acts like a scaling factor applied to the Color setting—the higher the Diffuse value, the closer the actual surface color is to the Color setting. The valid range is 0 to infinity. The slider range is 0 (no light is reflected in all directions) to 1, but you can type in a higher value. The default color value is 0.8.

Translucence

Gives the material the ability to transmit and diffuse light. Light falling on a translucent surface is first absorbed beneath the surface, and then diffused in all directions. If set to 0, the default, no light shows through the object. If set to 1, all the light shows through. The default value is 0.

Tip:

Use Translucence to simulate clouds, fur, hair, marble, jade, wax, paper, leaves, flower petals, or frosted light bulbs.

Note:
  • The Translucence value of a surface lit by a non-shadow-casting light is zero or infinite (all non-zero values).
  • If the scene combines a translucent surface with a shadow casting spotlight, faint grid-like artifacts may become visible. If this happens, increase the spotlight Filter Size or lower the Resolution.
  • For high values of Translucence, lower Diffuse accordingly to avoid washout.
  • A surface’s actual translucence is based on the illumination it receives from lights, and is not related to its transparency. However, as an object becomes more transparent, its translucent (and diffuse) illumination gets dimmer.
Translucence Depth

Simulates the way light diffusely penetrates through translucent objects. For example, when light shines on one side of the object, the other side is partially illuminated. This can be used for effects such as clouds, fur, hair, marble, jade, wax, paper, leaves, and so on. (To see this effect, turn on raytraced shadows for the light shining on the object.)

Translucence depth is based on worldspace. If it is set to 0 (the default), no light shows through the object. If set to 10, light penetrates through the surface, 10 units past the point where the object is in shadow.

Tip:

To see the effects of translucence depth, set the transparency to a non-zero value. If the surface is supposed to be opaque, set the transparency to a very small value, such as 0.0001.

Translucence Focus

The Translucence Focus value controls how much translucent light is scattered depending on the direction of the light.

For example, use a high value for very thin materials, such as wax paper or steam, where most of the light is scattered over a small angle relative to the light’s direction. The object looks brightest with the light source directly behind it.

Note:

When a spotlight is used to light an object with a translucent material, the light does not scatter past the light's cone of influence, even if Translucence Focus is lowered.

Use a mid-range focus value for items such as leaves. The leaves glow when backlit, but do not wash out when lit from the front.

Use a low focus value for thicker objects, such as wax. To compensate for the added light and avoid a washed out result, lower the diffuse value, or lower the overall color (which also affects ambient lighting).

Tip:

Lower the color value for very shiny objects that have a bright specular component.

Parent topic: Surface materials