When you add an image to a color-managed scene, you need to specify the color space used by the image so that the colors can be properly converted to the working space used for rendering.
New
File textures and image plane nodes in the scene initially use the color space determined by the
Input Color Space Rules in the
Color Management preferences (see
Define rules to assign color spaces for input files), and new IBL nodes default to
Raw. However, you can change each node individually by manually setting
Color Space in its attributes.
- Add an image file to the scene.
- Verify the
Color Space attribute.
- If necessary, change
Color Space to the correct value for the image file. If you do so, you should probably also activate
Ignore Color Space Input Rules so that the color space that you have assigned does not get changed if the rules get reapplied.
Once an input color space has been assigned, it does not change unless you change it manually or reapply the color space input rules to the whole scene (see
Change existing input color spaces automatically by reapplying rules).
Determine the correct color space for an image file
You should always use the correct color space for each image. If you are not sure of the color space that an image uses, you should try to find out for certain or else the results may be incorrect. However, here are some general guidelines:
- Most digital paintings and photos that are used to represent color values should generally be set to
sRGB. This includes PNG images, as well as JPEG, Targa (.tga), 8 and 16-bit TIFF, and many other integer-encoded formats. Note that when images set to
sRGB are converted to the rendering space, the sRGB gamma encoding gets removed but no inverse tone map is applied.
- EXR files, .hdr files, and floating-point TIFF files are almost always scene-linear. There is a very good chance that they use
scene-linear Rec 709/sRGB, but if the result looks incorrect then you can try
ACES or one of the other scene-linear options.
- Images that represent non-color data such as normal maps should not have any color management applied. Set the input color space to
Raw.
- Image planes used as backplates might use one of several color spaces. Scanned film plates typically use
Log film scan (ADX),
Log-to-Lin (cineon), or
Log-to-Lin (jzp). Footage from a digital cinema camera should use the option corresponding to the specific type of camera, such as
ARRI LogC or
Sony SLog2.
See also
List of input color spaces.