Working at the Sub-Object Level

To achieve highly detailed modeling effects, you can directly transform, modify, and align the geometry of objects at the sub-object level.

Sub-objects are the pieces that make up objects, such as vertices and faces. You can also access and transform the sub-object components of modifiers.

The particular geometry or gizmo available at sub-object level depends on the object type or modifier. For details on sub-objects for each object type, see Edit Modifiers and Editable Objects. For information on modifier sub-objects, see the topic for the modifier in question.

The middle column is modified at a sub-object level by scaling vertices.

Play this to view an example of sub-object editing:

Model courtesy of Greg Omelchuck and Moontowervfx

Selecting Sub-Objects

The geometry of sub-objects is defined by vertices, edges, and faces. When working at the sub-object level, you can select only one of these components at a time. The type of component to be selected is set on the Selection rollout.

Use the following techniques to add and remove components from sub-object selections:

To select a loop:

To select and deselect limited loops:

To select a ring (edges only):

To use Point-to-Point selection:

How to Enable Sub-Object Selection

Use the following procedure to enable an object for sub-object selection. See Edit Modifiers and Editable Objects for more information.

  1. Convert the object into an editable object such as an editable mesh, editable spline, editable poly, and so on. (Some modifiers that can only be applied to the object, such as Edit Mesh, Mesh Select or Spline Select, also have sub-object levels.) For example, to convert an object to editable poly format, follow this procedure.
    Tip: Always make sure to work in a wireframe view mode so you can see the affected geometry.
  2. On the modifier stack display, click (the plus-sign icon to the left of the name of the modifier or editable object). This expands the object's hierarchy, showing the names of the sub-object levels at which you can work.
  3. On the stack display, choose the kind of sub-object geometry you want to work with: for example, Vertex, Face, or Edge. Each sub-object selection level has rollouts with their own sets of options.

    The sub-object level is highlighted in the list.

  4. Use standard selection techniques (see preceding) to select sub-object geometry, from a single sub-object to the entire object. By default, the sub-object selection highlights in red.

Once a sub-object is selected, you can press spacebar to lock the selection while you’re working with it.

Storing Sub-Object Selection Sets

The surface formats (mesh, poly, and so on), automatically remember the most recent selection for each sub-object level: vertex, edge, and so on (there is overlap in some cases, such as poly edge and border). These selection sets are saved with the file. With sub-object selections, you have these options:

Using Sub-Object Selections

Once you make a sub-object selection of geometry, you can do any of the following:

Transforming a Sub-Object Selection

Using an editable mesh, poly, patch, or spline, you can directly transform any sub-object selection. However, “Select” modifiers like Mesh Select and Spline Select enable only selection.

To transform a sub-object selection made with a Select modifier:

  1. Add an XForm modifier to the stack, following (or somewhere above) the Select modifier.
  2. In the stack, open the Select modifier and make a sub-object selection.
  3. Choose XForm in the stack. You then transform the XForm gizmo, which applies the transform to the selection.

Cloning Sub-Object Geometry

Using Shift+transform with a selection of vertices or faces displays the Clone Part Of Mesh dialog. This lets you choose whether to clone to a separate object or an element. Click the desired option, optionally giving the cloned object a new name, then click OK.

Animating Sub-Object Geometry

When you work with an editable mesh or poly object, you can directly transform and animate a sub-object selection. In effect, the selection works like any other object.