Also, if you use the Link Original Media video option during your export, image files that were not edited are not affected by this conversion.
Format | Extension | Import | Export | Note |
---|---|---|---|---|
3ds Max | .3ds | yes | yes (camera data only) | |
Alembic | .abc | yes | no | Supports version 1.5.4 |
Filmbox | .fbx | yes | yes (camera or 3d camera data only) | Supports up to FBX SDK 2016.1 |
Inventor | .iv | yes | no | |
Scalable Vector Graphics | .svg | yes | no | |
Substance Engine |
Includes support for:
|
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Wavefront | .obj | yes | no |
Format | Extension | Import | Export | Note |
---|---|---|---|---|
Advanced Authoring Format | .aaf | yes | yes | Supports Avid Media Composer AAF up to version 8.4. |
Editorial Decision List | .edl | yes | yes (CMX 3600 only) | Recommended format: CMX 3600
Other supported formats at import:
|
Final Cut Pro 7 | .xml | yes | no | Only supports Apple Final Cut Pro 7 xml files. |
Final Cut Pro X | .fcpxml | yes | yes | Supports up to version Final Cut Pro X 10.2. |
Format | Extension | Import | Export | Depth |
---|---|---|---|---|
Alias® | .als | yes | yes | 8 bits |
ARRIRAW | .ari | yes | no | 12, 16fp bits |
Note: Media is presented as a clip, never as a sequence of RAW images. Supports material shot on camera using ARRI SUP 11 or earlier, and the features from version 5.0 of the ARRIRAW SDK. This includes support for ALEXA Monochrome and ALEXA Open Gate, as well as content shot at 4x3 ratio.
|
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Cineon® | .cin | yes | yes | 10 bits |
DPX | .dpx | yes | yes | 8, 10, 12, 16i bits and ADX encoding. |
Note: 8, 10, 12, and 16i bits support alpha, including 12-bit DPX (packed) from CODEX recorders.
|
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DPX - Single channel | .dpx | yes | no | See Note. |
Note: Monochromatic DPX files from the following film scanners have been validated:
Lustre supports single channel DPX files only when imported through Wiretap Gateway. |
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Gateway | .clip | yes | no | n/a |
HDR | .hdr | yes | no | 32 bits |
JPEG | .jpg | yes | yes | 8 bits |
OpenEXR | .exr | yes | yes | 8, 10, 12u, 12, 16fp, or 32fp bits
RGB, RGBA, and multi-channel |
Note: You can access RGB and RGBA channels from a multi-part file; each part appears as a track of a multi-track clip in the MediaHub file browser. Deep pixel channels are not supported and are not displayed. On import, 32-bit floating point is downconverted to 16-bit floating point. You can also access non-RGBA channels located at the root of the channels hierarchy. Multi-Channel OpenEXR files with multiple alpha channels / matte are imported as Matte Containers with all available mattes.
Flame Premium reads frame rate and timecode information from the header of an OpenEXR file, when one of the following rates is used. It also supports writing that same information on export.
32-bit integer channels are seen as 12-bit clips in MediaHub. |
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Photoshop | .psd | yes | no | 8 or 16i bits
RGB and RGBA |
Note: Supports both flattened and layered files. Rasterize any layer with shapes before saving the file to make sure those elements are available in
Flame Premium.
|
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Pict (Macintosh®) | .pict | yes | yes | 8 bits |
Note: Supports alpha.
|
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Pixar | .pxr | yes | yes | 8 bits |
Note: Supports alpha.
|
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Portable Network Graphics | .png | yes | no | 8 or 16i bits |
Note: Supports alpha.
|
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Precomp | .precomp | yes | no | 8, 10, 12u, 12, 16fp, or 32fp bits |
SGI® | .sgi | yes | yes | 8 or 16i bits |
Note: Supports alpha.
|
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Softimage® | .pic | yes | yes | 8 bits |
Note: Supports alpha.
|
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TARGA® | .tga | yes | yes | 8 bits |
Note: Supports alpha.
|
||||
Tdi/Maya® | .iff | yes | no | 8 or 16i bits |
Note: Supports alpha.
|
||||
Tiff | .tif | yes | yes | 8 or 16i bits |
Note: Supports alpha.
|
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Wavefront® | .rla | yes | yes | 8 or 16i bits |
Note: Supports alpha.
|
Format | Extension | Import | Export | Depth |
---|---|---|---|---|
Uncompressed 8-bit RGB (RAW) | .mov | yes | yes | |
Note: Supports alpha both RGB and RGBA import and export.
|
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Uncompressed 8-bit VUY (2VUY) | .mov | yes | yes | 8-bit packed |
Note: 4:2:2 codec.
|
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Uncompressed 8-bit YUV (YUV2) | .mov | yes | yes | 8-bit packed |
Note: 4:2:2 codec.
|
||||
Uncompressed 10-bit RGB (R210) | .mov | yes | yes | |
Uncompressed 10-bit YUV (V210) | .mov | yes | yes | 10-bit packed |
Note: 4:2:2 codec.
|
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Apple Animation | .mov | yes | no | |
Note: Supports alpha.
|
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Apple Graphics | .mov | yes | no | |
Apple® Video | .mov | yes | no | |
Cinepak | .mov | yes | no | |
Component Y’CbCr 8-bit 4:4:4 | .mov | yes | no | 8-bit planar |
Component Y’CbCrA 8-bit 4:4:4:4 | .mov | yes | no | 8-bit planar |
Component Y’CbCr 10-bit 4:4:4 | .mov | yes | no | 10-bit packed |
Component Y’CbCr 10-bit 4:2:2 | .mov | yes | no | 10-bit packed |
DV 25 | .mov | yes | yes | |
Note: NTSC & PAL
Although the specifications allow the DV format to be field 1 or 2, the industry standard is "bottom first". Thus, before exporting to Flame Premium, ensure that the clip is Field 2. Reformat, if necessary. |
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DVCPRO 50 | .mov | yes | yes | |
Note: NTSC & PAL
|
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DVCPRO HD | .mov | yes | yes | |
DNxHD | .mov | yes | yes | 8 and 10 bits |
Note: Includes support for the following varieties: 36, 60, 75, 80, 85, 90, 90x, 100, 110, 110x, 115, 145, 175, 175x, 185, 185x, 220, 220x, 444 (sometimes known as 350x).
|
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DNxHR | .mov | yes | no | |
Note: The whole DNxHR family is supported:
|
||||
H.264 | .mov | yes | yes | |
IMX | .mov | yes | yes | |
Note: Includes support for IMX 30, 40, and 50. When exporting, the Scan Mode box is ignored: NTSC clips are always exported as F2 dominant, while PAL clips are always exported as F1 dominant.
|
||||
MJPEG | .mov | yes | yes | |
Note: JPEG compatible
|
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MPEG-1 | .mov | yes | no | |
MPEG-4 | .mov | yes | yes | |
MSMpeg 4v3 (DivX) | .mov | yes | no | |
PhotoJPEG | .mov | yes | no | |
Note: RT PhotoJPEG compatible
|
||||
PNG | .mov | yes | yes | |
Note: Without alpha channel support
|
||||
PNGA | .mov | yes | yes | |
Note: With alpha channel support
|
||||
ProRes 4444 (XQ) | .mov | yes | yes | 12-bit |
ProRes 4444 | .mov | yes | yes | 12-bit |
Note: Includes support for ProRes files from Sony F5 and F55 cameras.
|
||||
ProRes 422 (HQ) | .mov | yes | yes | 10-bit |
Note: Includes support for ProRes files from Sony F5 and F55 cameras.
|
||||
ProRes 422 | .mov | yes | yes | 10-bit |
Note: Includes support for ProRes files from Sony F5 and F55 cameras.
|
||||
ProRes 422 (LT) | .mov | yes | yes | 10-bit |
ProRes 422 (Proxy) | .mov | yes | yes | 10-bit |
Quicktime Planar RGB | .mov | yes | no | |
TGA | .mov | yes | no | |
XDCAM | .mov | yes | no | |
XDCAM HD | .mov | yes | no | |
XDCAM EX | .mov | yes | no | |
Note: There is no essence-mode browsing in a QuickTime XDCAM EX.
|
The Supported QuickTime Audio table lists the audio codecs supported in QuickTime files.
Format | Extension | Import | Export | Depth |
---|---|---|---|---|
AVC-Intra 50 | .mxf | yes | yes | |
Note: Panasonic P2.
|
||||
AVC-Intra 100 | .mxf | yes | yes | |
Note: Panasonic P2. Import includes support for 1080/60p. Import supports OP-Atom format.
|
||||
AVC-Intra 200 | .mxf | yes | no | |
Note: Panasonic P2. Supports 1080/25p, 1080/30p, 720/50p, and 720/60p.
|
||||
AVC-Intra 4:2:2 HD | /mxf | yes | no | |
AVC-Intra2K | .mxf | yes | no | |
Note: Supports the VariCam 35 and HS, both 4:2:2 and 4:4:4 flavours.
|
||||
AVC-Intra4K | .mxf | yes | no | |
Note: Supports the VariCam 35 and HS, both 4:2:2 and 4:4:4 flavours.
|
||||
AVC-LongG | .mxf | yes | no | |
Canon XF-AVC | .mxf | yes | no | |
DNxHD | .mxf | yes | yes | |
Note: Includes support for the following varieties: 36, 60, 75, 80, 85, 90, 90x, 100, 110, 110x, 115, 145, 175, 175x, 185, 185x, 220, 220x, 444 (sometimes known as 350x).
Supports DNxHD files from ARRI ALEXA cameras, with the exception of DNxHD 444. Supports DNxHD 220x and 145 from Sony PMW-F5 and F55. In MXF Op-Atom files generated by Avid Media Composer, audio tracks appear in the MediaHub as a single audio channel file (A1). But once imported, the tracks display the original channels. |
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DNxHR | .mxf | yes | no | |
Note: The whole DNxHR family is supported:
|
||||
DV 25 | .mxf | yes | no | |
Note: Panasonic P2
|
||||
DVCPRO | .mxf | yes | yes | |
Note: Panasonic P2
|
||||
DVCPRO 50 | .mxf | yes | yes | |
Note: Panasonic P2 (PAL & NTSC)
|
||||
DVCPRO HD | .mxf | yes | yes | |
Note: Panasonic P2. Available in 1080p@25/50, 1080p@24/30/60, 720p@25/50, and 720p@24/30/60.
|
||||
SonyRAW | .mxf | yes | no | |
Note: Flame Premium uses Sony's SDK 2.3.1 to decode SonyRAW files. It includes support for Sony F65, F55, and F5 camera outputs.
|
||||
Sony SStP | .mxf | yes | yes | |
Note: Sony's implementation of MPEG-4 Simple Studio Profile, part of the SRMASTER format. The following Sony SStP formats are supported:
These formats are supported in 1280x720 (50p, 59.94p), 1920x1080 (23.97p, 24p, 25p, 25i, 29.97p, 29,97i, 50p, 59,94p), 2048x1080 (23,97/24/25PsF) with up to 16 tracks of PCM audio. |
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XAVC | .mxf | yes | yes | |
Note: Includes support for Sony F55 and F5 camera, recorded in HD and 4K. Includes support for long-GOP files (Sony XAVC-Long format) such as recorded by the PXW-Z100.
|
||||
XDCAM | .mxf | yes | no | |
Note: MPEG-2 IMX-30, IMX-40, and IMX-50
|
||||
XDCAM HD | .mxf | yes | yes | |
Note: MPEG-2 long-GOP. Import supports 4:2:0 and 4:2:2. Export is 4:2:2.
|
Format | Extension | Import | Export | Depth |
---|---|---|---|---|
H.264 | .mp4 | yes | no | |
XAVC-S | .mp4 | yes | no | |
Note: Supports up to 4 tracks of 16-bit PCM audio.
|
||||
XDCAM EX | .mp4 | yes | no | |
Note: MPEG-2 long-GOP
|
Format | Extension | Import | Export | Depth |
---|---|---|---|---|
AVCHD | .mts or .m2ts | yes | no | |
Only linear PCM audio is supported. Some cameras can record AC-3 audio, but this format is not supported: Flame Premium can still access the video portion of the media. | ||||
REDCODE | .r3d | yes | no | 12, 16fp bits |
Flame Premium uses RED SDK 6.0.4, including support for the Dragon 6K sensor, Rec. 2020, as well as for the RED Weapon (8K) and RED Raven (4K) cameras. |
Format | Extension | Import | Export | Depth |
---|---|---|---|---|
AIFF | .aiff | yes | yes | 16 or 24 bits |
AIFF-C | .aifc | yes | yes | 16, 24, 32fp bits |
Audio Visual Research | .avr | yes | yes | 16 bits |
Berkeley/IRCAM/CARL Sound (BISCF) | .bsf | yes | yes | 16 bits |
MP3 | .mp3 | yes | yes | 16 bits |
Nextsnd | .au | yes | yes | 16, 24, 32fp bits |
WAVE | .wav | yes | 16, 24, 32fp bits | |
WAVE - Broadcast | .wav | yes | yes | 16, 24, 32fp bits |
Note: Includes support for RF64 files (BWF-compatible format that supports files larger than 4 GB).
|
||||
WAVE - Extensible | .wav | yes | no | 16, 24, 32fp bits |
Note: Audio tracks are imported as regular audio tracks, without mapping the channels to spatial locations.
|