Welcome to the 2021.1 release of the Flame Family products!
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The Explorer is now available in every environment, from MediaHub to Tools, and makes it easier than before to move Selectives between segments. For more information, see Explorer. |
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Comparing to reference media is now easier, with side by side comparison, improved compare options in the Player, and references that resize to the current resolution. For more information, see Compare Workflow. |
Additional information:
Links to 2021 videos are denoted by this icon:
indicates a new feature or enhancement that was suggested and voted up by Flame Family users on the
Feedback portal (also accessible directly from
).
Want to get only the highlights of the release? Let the Welcome Screen show you to the new features. It opens the first time you launch a Flame Family product.
Or access it anytime from .
For details on all the new features and enhancements in this release, follow these links:
You can now use Select Previous Selective and Select Next Selective keyboard shortcuts without first selecting a Selective node.
A new FBX mode representing a generic human head is now available. Align it to a person's face and perform projection for skin clean-up and other tasks. Use
and then open PBS_TRIANGLES > HumanHeadGeneric.fbx.
Zoom changes. The mouse scroll wheel or the trackpad scroll now zooms the viewport instead of the camera. To zoom the camera, use Ctrl+Alt+Drag inside the viewport.
You can now set default values for the following settings for GMasks used in Action, Image and GMask Tracer:
These defaults are set in the .
Widget transparency. You can now set a default value for the Transparency of the widgets displayed in Action viewports.
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To open or close the Priority editor in Image, you must now use the Priority button; bottom swipe no longer works.
Side-by-side compare everywhere. The Side By Side compare mode is now available in the Batch and the Effects environments. The
Select Side by Side Mode keyboard shortcut is also available for the keyboard and Tangent panels but is not assigned.
Cycle Compare. You can now cycle through the Compare modes:
Secondary track compares. You can now set the Secondary Track as the reference with the Compare with Secondary Track keyboard shortcut on a keyboard or a Tangent panel. The shortcut is not assigned.
Grab references from the Player. You can now grab a reference from the Player from any compare mode. Use .
Compare to Grabbed References. You can now use grabbed references in the Player. Select a grabbed reference using .
Auto-resize reference. In any Compare mode, a reference automatically resizes to the resolution of the Primary Track. You set the resize method, resize algorithm, ratio option using .
Setting the Primary Track. You can now use the Reference box to set the Primary and Secondary tracks.
Direct manipulation.You now manipulate the Horizontal, Vertical and Angle Split bar directly in the Player, using the same widgets as the one used in Batch and Effects. Because of this, the Position and Angle numeric fields have been removed.
Reset with a button.You can now reset the position and angle of the Angle Split mode using the
Reset button or the
Compare: Reset Split Pivot keyboard shortcut (unassigned).
Pivot from the corner.The pivot now defaults to the bottom left of the image in the Player.
The following improvements have been made to the Grabbed Reference preview window:
Go to the previous or next grabbed reference by holding the
Shift
key and using the
Display Previous Grabbed Reference
and
Display Next Grabbed Reference keyboard shortcuts.
Using the keyboard shortcuts, switch between grabbed references.
To display the previous or next grabbed reference:
To select and display the previous or next grabbed reference in the viewport:
Shortcuts have been added and modified in the Player and Effects tab.
Player-specific keyboard shortcuts
Effects
Dolby Vision certified. Flame Family products have been certified by Dolby Laboratories as compatible with Dolby Vision.
If you created Dolby Vision content in the 2021 release, we recommend that you recreate the content in 2021.1. While re-exporting Dolby Vision XML should be enough, we recommend starting from scratch a Dolby Vision project started in 2021: some fixes could produce slightly different results.
Custom Displays. The Custom Displays feature available in the HDR Settings menu has been disabled due to a last minute defect.
Dolby Vision XML Import/Export Display names changes. When importing a Dolby Vision XML generated by an application using a legacy configuration file, Flame shows the Mastering and Target display names from the XML. In previous versions, the display names would revert back to the current configuration file names after a restart. Now the display names from the imported XML are preserved.
In versions before version 1.3 of the Dolby Vision configuration files, the Mastering displays were named differently:
| Legacy Mastering Display Name | New Mastering Display Name |
|---|---|
| Dolby Pulsar,4000-nit,P3,D65,Full | 4000-nit, P3, D65, ST.2084, Full |
| Dolby Pulsar,4000-nit,Rec.2020,D65,Full | 4000-nit, BT.2020, D65, ST.2084, Full |
| Dolby PRM32HFD-QT,2000-nit,P3,D65,Full | 2000-nit, P3, D65, ST.2084, Full |
| Dolby PRM32HFD-QT,2000-nit,Rec.2020,D65,Full | 2000-nit, BT.2020, D65, ST.2084, Full |
| Sony BVMX300 1000-nit,P3/D65,ST.2084,Full | 1000-nit, P3, D65, ST.2084, Full |
| Sony BVMX300 1000-nit,Rec.2020,D65,ST.2084,Full | 1000-nit, BT.2020, D65, ST.2084, Full |
Manage segment group content. You can now Add to Group and Remove from Group from the contextual menu without first selecting a segment in the Storyboard. In this case, the operation is applied to the segment under the cursor. If there is an active selection, the operation applies to all selected segments.
Drag FX from Explorer to Context. You can now drag a Timeline FX setup from the Explorer to a viewport showing a Context view. But this requires the following criteria to be met:
The viewport positioner is within the range of the currently selected segment.
The Context view shows the output of the track containing the currently selected segment.
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Comparison workflow in context of the editorial Timeline
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Comparison workflow in context of Grading and VFX
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Explorer everywhere. You can now access and use the Explorer in every environment. As a result the following functions have been removed from the Media Panel:
Because of space constraints, there are cases where the Explorer cannot be displayed:
If you have a second monitor, you can display the on that second monitor instead and remove the above restrictions.
Matching selection. Selecting a grabbed reference using the Reference drop-down button also selects it in the References panel of the Explorer.
In the Effects tab, some of the Selective operations have been updated to improve consistency between the Selective Manager and drag & drop workflow.
Modifiers to use when you drag & drop a selective from the Explorer into the viewport or a segment:
If you do not use the above shortcuts and a selective with the same ID already exists, a dialog window asks you for the operation to perform.
Load with a click. You can now load a Selective setup from the Explorer to the selected segments by double-clicking the Selective setup.
You can now display the Explorer on a second monitor with . If the Media Panel is not displayed on the same monitor as the Explorer, then you can select where the Explorer appears on the screen.
You can now display simultaneously up to three different panels in the secondary monitor: the Media Panel, the Explorer and a Viewport. You can display all or just one using the Flame menu or the following keyboard shortcuts:
If you are in an environment other than Batch or Effects, the Scopes are displayed in the viewport by default. The Scopes viewport is always displayed in the middle when all three options are enabled at once.
In , you can now connect to a remote workstation on the Autodesk Network even if it cannot be detected through self-discovery:
You are now connected to the remote workstation and can browse its contents.
Disabled handles. In the Sequence Options tab of the Export window, the Include Handles option is now disabled when you use the option .
Avid DNxHR in MXF. You can now export media as Avid DNxHR in an MXF container (OP-1a layout). The following movie export presets are now available:
You can now create new media using the source attributes of the subclips of a sequence by using the new Source Media presets. These new presets are available when you perform a Sequence Publish.
The following Format Presets are available in
The source attributes are: segment source name, source timecode, and reel name.
Natural sorting. How multi-version clips are sorted has improved. When sorting by version in the context of pattern browsing, clips used to require padding to sort naturally. That is, versions 1, 9, and 45 would be sorted as 1, 45, 9 unless you added padding and renamed them 01, 09, 45. You no longer need to pad the version: versions 1, 9, and 45 will now be displayed in the expected order. You can still use padding.
You can now import Avid DNxUncompressed media in MXF files. DNxUncompressed is a high quality format used for finishing, and just like Avid DNxHR, DNxUncompressed is not resolution constrained. It is available in YCbCr and RGB format.
Supported YCbCr (4:2:2)
Supported RGB (4:4:4)
Avid DNxUncompressed MXF Import Levels. When importing RGB floating point Avid DNxUncompressed MXF media files, Full range level is always used. But if you import RGB integer or YCbCr media files, you can select between Full or Legal range.
Colour space info for OP1a. Colour space information from Avid DNx files in an MXF container (OP1a) from Avid Media Composer is now is now supported.
On CentOS, the import pipeline now uses the GPU to decode SonyRAW / X-OCN, providing faster decoding and improved playback performance on all Flame Family products. MediaHub resizing and colour management also happens on the GPU.
SonyRAW / X-ONC content imported from previous releases via Project Conversion, MediaHub, or archive restore will be debayered by the GPU.
Format Option tab update:
RED media files support is updated and fixes some issues with Komodo clips. This update also includes a new colour decision list option for IPP2 colour science. This option allows you to disable the CDL.
When you set , the new CDL option appears in the Options Category box. From the CDL menu, you can select how to use the CDL:
Finally, the option Use Creative 3D LUT is now named Use 3D LUT to align with RED recommendations.
You can now resize the Media Panel in Batch.
The Toggle Hide Cursor Circle keyboard shortcut has been changed from Alt+C to Ctrl+Alt+C in the Smoke Classic user profile.
To standardize keyboard shortcuts across environments, the Flame profile keyboard shortcuts used to select a Player or to open Player panels now match those in Batch and Effects.
| To Display | Old Shortcut | New Shortcut |
|---|---|---|
| Player | Ctrl+1 | Alt+1 |
| Source-Sequence | Ctrl+2 | Alt+2 |
| Triptych | Ctrl+3 | Alt+3 |
| Trim View | Ctrl+4 | Alt+4 |
| To Toggle | Old Shortcut | New Shortcut |
|---|---|---|
| Audio Desk Panel | Alt+2 | Ctrl+1 |
| Overlays Panel | Alt+3 | Ctrl+2 |
| Viewing Settings Panel | Alt+4 | Ctrl+3 |
| Markers Panel | Alt+5 | Ctrl+4 |
| Scopes Panel | Alt+6 | Ctrl+5 |
The Python API is augmented with additional attributes and properties in Action, Batch, and Project management.
For more information, see Python API documentation
Wiretap server and Root access. In previous versions, a user logged in as root on a workstation could see his credential forwarded to the remote ifffs Wiretap sessions, giving it full root access on the remote machine without authentication.
This issue is now fixed. It is possible to get back the legacy behavior using the following option in the Wiretap server configuration file, located in /opt/Autodesk/wiretap/current/cfg:
The above option has to be manually added to an existing Wiretap configuration file. If that option is not present in the configuration file, then the new behaviour is the default one. Clean installs have this option set to True.
More detail in the Wiretap sample configuration file, /opt/Autodesk/wiretap/current/cfg_samples.
The following functions are now available to be mapped to your control panel using the Tangent Mapper:
All the Compare mode selection functions now work in the Player and Viewport:
The Compare: Toggle Angle Split Visibility shortcut has been removed. It's location on the Tangent now performs the following:
Move Split Pivot is now available in both the Player and Viewport:
In the General section, Swipe Media Panel changes for Show / Hide Panels Using Swipe Bars.
Panels:
In the Action section, the following functions are renamed:
Unlinked linked criterion. The
Is Unlinked criteria has been replaced in the Timeline Search.
Virtual Source search. A Virtual Source criterion is now available in Timeline Search. Use it to search for segments that do not possess Source Timecode information.
Better naming. The clip created by copy-pasting a timeline segment in the Media Panel is now named after the timeline segment itself, and no longer after the sequence it comes from.
Track names in menu. The name of a Timeline track now appears in the drop-down buttons and contextual menus where you can select a track.
Shortcut change. The Close Gap keyboard shortcut changes from Ctrl+G to Space+G in the Smoke Classic user profile.