Connected Colour Workflow

In today’s feature film colour grading market, the grading suite has been gaining in importance. This is because it is often the place where the director and his creative team get to see their film come together, with the final effects and colour correction. During this process, it is quite common for them to notice small things they’d like to improve that are outside the scope of traditional colour correction. Even if the fixes may only take a few minutes of work, today, the only option is to defer these changes to a VFX session.

The Connected Colour Workflow enables basic effects work during client-attended grading sessions, by harnessing the power of the Flame Family’s Batch procedural compositing environment (Flame or Flare, running concurrently on the same workstation).