SonyRAW Format Settings - Import
We support Sony RAW and X/OCN video content, and its accompanying audio, wrapped in MXF by Sony professional cameras.
Colour Management
The following Sony Venice-specific colour spaces are available in the General Colour Management settings:
- S-Log3 Venice S-Gamut3
- Linear Venice S-Gamut3
- S-Log3 Venice S-Gamut3.Cine
- Linear Venice S-Gamut3.Cine
They reflect the differences in X-OCN media between files generated by the CineAlta PMW-F5/F55 and the Venice/Burano cameras. They match the Input Device Transforms provided by Sony Electronics to AMPAS. See this GitHub repo for more details.
When importing X-OCN media files generated by Sony Venice and Burano cameras, using the "From File or Rules" option in the General Colour Management settings uses a Venice-specific colour space (S-Log3 Venice S-Gamut3.Cine).
Metadata Settings
Tape Name box
Select an option to determine how the tape name is set when importing clips.
| Select: | To: |
|---|---|
Enter Tape Name | Activate the Tape Name field where you enter the tape name. When selecting multiple files for import, this tape name is used for all imported files. |
Tape Name from File Name | Use the name of the imported file as the tape name. |
Tape Name from Directory | Determine the tape name from the detected directory structure. Use the Level field below to configure the relative path to the directory from which the tape name can be determined. |
Tape Name from Header | Read the tape name from the header of the imported file. |
Level field
Set from which directory the tape name is taken, relative to the location of the clip in the directory structure.
Although available for all types of files, the Level field is intended for directory structures output by film scanners. A typical image file directory structure looks like this: ./<tape>/<resolution>/clip.######. In this case, selecting Levels Up 2 in the Level field identifies the directory that corresponds to the tape name (./<tape>). Enabled if Tape Name is set to Tape From Directory.
Tape Name field
Enter the name to use as tape name when importing the clip. Enabled if Tape Name is set to Enter Tape Name.
Orientation box
Flip (vertical) or flop (horizontal) the media when importing the clip. Camera uses the orientation defined on the camera during the shoot. Disable Flip to use the true orientation of the image, as it was shot.
Clip Settings
Clip Name box
Select how the clip is named when the file is imported.
| Select: | To: |
|---|---|
Enter Clip Name | Activate the Clip Name field so that you can manually enter the clip name. When selecting multiple files for import, this name is used for all imported files. |
Clip Name from File Name | Use the name of the imported file as the clip name. |
Debayering Settings
Resolution box
Select the resolution at which the media is debayered. Higher resolutions require more processing and impact real-time playback. Other resolutions offer better performance at the cost of lower image resolution.
Not every resolution work for every camera. To maximize compatibility, use the relative settings: Full, Half, Quarter, Eighth, Sixteenth.
If you cannot debayer a media file, you will see the following error message in the Preview panel: Error: output_resolution not available for bitstream_typ). In that case, use one of the numerical values such as HD, 2K or 8K UHD until the media debayers correctly.
Quality box
Select one of two qualities for the decoding of SonyRAW footage. While debayering resolution result in lower resolution clips, Quality affects the quality of the fully debayered pixels. Depending on your system configuration, Standard provides better decoding performance at the cost of lower image quality compared to High quality. The actual image degradation depends on the footage being decoded, but because of the Bayer pattern, expect to see differences in the red and blue channels.
The Quality box is only available to Debayering settings 4K and below.
The Sharpness setting is also available to adjust the debayering.
Decoder box
Select Use CPU or Use GPU to decode on either set of processors. GPU is generally faster but you may want to use CPU to free up GPU resources.
Colour Settings
General.Exposure box
Select how exposure is set. Choose Exposure From File to use the camera settings.
F-stops
Adjust in F-stops the exposure that is applied to the imported clips. Enabled when Exposure is Adjust exposure in F-stops.
White Balance box
Select the white balance value to use. White Balance From File uses the camera settings burned in the clip.
Kelvin field
Set the perceptual colour temperature of the imported file. In Kelvin. Enabled if White Balance is set to Set Temperature.
Tint field
Set the green/magenta tint balance: positive value for green tint, negative value for magenta tint. Enabled if White Balance is set to Set Temperature.